Cleo Summer Showcase, Part I

It’s time to take a look at the Cleo Summer Showcase so far!

Update: here’s Part 2

I’m so inspired by all of the amazing skirts that these lovely women have made and posted already this week. And honestly, overwhelmed and honored that so many people agreed to be a part of this little showcase. Thank you to everyone who has participated so far!!

Let’s start with a roundup from Monday’s showcase guests:

Cleo Summer ShowcaseVicky of Sewvee, top left, made this colorful and cheerful Cleo. I love that umbrella too. See more pics in her blog post!
Erin of Hungie Gungietop right posted this lovely pink Loominous skirt and styled it with a cute aqua belt. See more pics on her blog.
Natalie of Hungry Hippie Sews rounded up all of her Cleo skirts on her blog, including this beautiful rayon version that she made (bottom left). Natalie was one of our Cleo testers and has made a bunch since the pattern launched!
Teri of Fa Sew La (bottom right) added a fantastic waist tie to her cheerful floral rayon Cleo. Head over to her blog for more details.

Here are the Cleo skirts from Tuesday’s showcase guests:
Cleo Summer ShowcaseTori of the The Doing Things Blog posted TWO absolutely lovely Cleos, top left and bottom left. More pics on her blog!
Kate English, top right, added some width to the waistband (love it!) and styled it to perfection.
Meredith of Olivia Jane Handcrafted, bottom right, chose a large-scale gingham and cut the pockets and hem bands on the bias for a great self-contrast effect. See details and closeups on her blog.
Lindsay, bottom center, shows how a slightly heavier fabric (canvas!) works nicely for Cleo too!

Finally, here are the Cleo showcase posts for today:
Cleo Summer Showcase
Julie at Nurse Bean Sews (above) is so prolific that this is actually just a part of her entire Cleo skirt collection! Head over to her blog to see the rest of her Cleos and to see how she styles them with her handmade tops!

Cleo Summer Showcase

Melissa at A Happy Stitch made a couple of versions (top left, bottom right), which you can see more of in her blog post as well. Sidenote: I love how Cleo keeps popping up in Loominous fabric…it really is a wonderful fabric for clothing. And Lauren of Lauren Durr Design used a brilliant border print for a stunning effect (bottom left, top right). I love how she used the hem band to extend the yellow area of the print.

The variety of skirts and styles represented here really speaks to the versatility of this pattern. I really enjoy seeing how different people can create completely different looks with the same pattern, don’t you? We’re halfway through the showcase, so stay tuned for even more Cleo loveliness!

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Cleo Summer Showcase

I’m very excited to announce that next week I will be hosting a Cleo Summer Showcase here on the blog and on Instagram to feature the Cleo pattern for summer! A bunch of fantastic people, including Cleo pattern testers, Instagrammers (is that a word?) and bloggers are going to to help me to show off this lovely summer skirt pattern.

The Cleo Summer Showcase will be followed by a Cleo Sewalong, which will coincide with the launch of the print Cleo pattern (yay!!!). I’m so excited to add Cleo to the list of print patterns we offer at independent shops, so look for the announcement and list of shops in my newsletter next week (you can sign up here if you aren’t already subscribed).

Here is a list of the makers and bloggers who will be participating in the Cleo Showcase next week:

Cleo summer showcase

july 31
vicky / @sewvee / sewvee.blogspot.co.uk
erin / @hungiegungie / hungiegungie.com
natalie / @sewhungryhippie / hungryhippie sews
teri / @teridodds1 / fa sew la

august 1
tori / @thedoingthingsblog / thedoingthingsblog.com
lindsay / @lindsayinstitches
meredith / @thefooshe / oliviajanehandcrafted.com/blog
kate / @kate.english

august 2
melissa / @ahappystitch / ahappystitch.com
julie / @nursebean82 / nursebeansews.wordpress.com
lauren / @laurenddesign / laurendurrdesign.com

august 3
fleurine / @mariefleurine / sewmariefleur.com
bettina / @stahlarbeit / stahlarbeit.ch
allie / @indie_sew / indiesew.com/blog
darci / @darcialexis / darcisews.com
emily / @mycraftylittleself / mycraftylittleself.blogspot.com

august 4
whitney / @whitneydeal / whitney-deal.com/blog
sienna  /@notaprimarycolor
amy nicole / @amynicolestudio / amynicolestudio.com
kim / @pitykitty
kten / @jinxandgunner / jinxandgunner.blogspot.com

I’m so very grateful to all of these lovely people for participating in our Cleo pattern showcase! It’s going to be so fun to see all of their inspiring Cleo makes. I hope you will enjoy it too!

You can find the Cleo sewing pattern in my shop.

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How to take body measurements

how to take body measurements / made by rae

The very first thing that every single person should do before they sew a piece a piece of clothing for themselves is take out a tape measure and get some good, honest body measurements. In this post I’ll go over how to take the four body measurements that you’ll need to choose the right size to sew with one of my sewing patterns.

The problem with body measurements
Unfortunately, many of us would prefer to skip this step. It seems easier just to pick a size, maybe guess a little bit based on the size chart. We’ve also learned to associate measuring ourselves with negative feelings about our bodies instead of seeing the measuring tape as an empowering tool that can allow us to custom-tailor our clothing to fit and flatter our beautiful bodies. While I can’t instill a sense of love for your body — only you can do that — I hope I can impress upon you the importance of viewing your measurements as the first step to sewing something for yourself that you can be proud of. One of the great things about sewing your own clothing is that you don’t have to put a size tag in the back of something you make. No matter what size pattern piece you use, making yourself a piece of clothing that fits — not too tight, not too loose — feels empowering, no matter what your size or shape.

Can’t I just skip this and use my ready-to-wear size instead?
OK, let’s say you decide to pass on measuring yourself completely. That means you’ll need to guess what size you need using the size labels on the pattern pieces instead of your body measurement and the size chart. This is risky, considering every pattern maker uses their own measurement chart; a size large for one of my patterns might be different from a size large somewhere else, including the ready-to-wear clothes you might have in your closet. Hypothetically now you’re in a sewing no-man’s-land: you’ve jumped into your project completely blind, hoping you’ll accidentally end up with a piece of clothing that fits.

Are you ready to get out your measuring tape and find your body measurements? OK!

A few general guidelines

  • If possible, measure in the morning; by the end of the day, gravity has taken its toll on your body and you are not only shorter, but wider.
  • Wear your best-fitting (and ideally, supportive) undergarments when measuring. This is SO IMPORTANT!
  • If possible, have someone help you take these measurements. When your arms are relaxed at your sides instead of trying to hold up the tape measure, you’ll get a more accurate measurement.
  • Do not pull the tape measure as tight as it will go. The tape measure should fit as loosely around your body as possible without falling down.
  • Wear tight-fitting clothing such as leggings and a tank top, or just your undergarments, rather than loose-fitting or thick clothing.

Start with your upper bust. Place the tape measure around your torso, right under your armpits and over the top of your bust. The tape measure should form a loop that is more or less parallel to the floor, but if it’s angled up a little in the front to clear the top of your bust, that is fine. Write this measurement down.

Now measure your bust. Place the tape measure around the fullest part of your bust. Write this measurement down. 

It is helpful to have both bust and upper bust measurements whenever you are sewing a pattern that includes a bodice, such as a dress or blouse. In my sewing patterns, I include a “Choose your size” section that explains how to use these two numbers to help you choose your size, to decide between the A/B and C/D bodices (such as in Gemma, Josephine, and Beatrix), and to help determine whether a bust adjustment is needed.

how to measure the waist

For your waist, place the tape measure around the smallest part of your waist, and write this measurement down. It’s important to note that this measurement is usually taken WELL ABOVE THE BELLY BUTTON, and that unless you wear high-waisted pants, this is not where the waistband of your pants are. Most pant waistbands sit at the “low waist” which is different than the “natural waist” that you are measuring right now. 

If you’re pear- or hourglass-shaped like my assistant Melissa (shown in these pics), your natural waist should be pretty easy to find. If you’re apple-shaped or banana-shaped (like me) or carry a good deal of your weight around your waist, though, it may be a bit harder to locate, and may actually be larger than your hip measurement. In this case, measure between your lowest rib and the top of your hip bones.

how to measure your hip / made by rae

The hip measurement can also be a bit tricky to find/take, because the location of the hip on the body varies from person to person, making it hard to nail down an exact location for the hip measurement. The other thing that makes everything more confusing is that the hip measurement is usually NOT at your hip bones, which are (again, usually) much higher on the body, closer to your low waist, where you might find the waistband on a pair of low-rise jeans.

The hip measurement should be taken around the widest part of your booty, below your hip bones. Write this measurement down.

Once you have your measurements, write them down in a notebook so you can refer to them later. Remember that if you gain or lose weight, start or stop exercising, or have other changes to your body, you’ll want to take them again!

Now you’re ready to choose your size and make a muslin!

Matcha Top

Matcha Top

Earlier this spring my friend Meg of Sew Liberated released the Matcha Top pattern and I had that thing in my shopping cart and downloaded before you could say Matcha. I loved the versions that Meg had posted on Instagram, and the combination of the collar, center front slit, and roomy design just seemed like the perfect pattern for spring. I used a rayon I found at Indiesew, so it’s incredibly comfortable, and between that and the great design, it’s become one of my favorite tops to wear!  Even in hot weather it looks great with shorts, though this is how I wore it most of the spring:

Matcha Top

I found the pattern to be quite easy to sew with the possible exception of the collar which is understandably less “beginner” than the rest of the top, but I’ve sewn a fair amount of collars before and didn’t find it to be difficult.

Matcha Top

In the photo below you can see how much ease the pattern has, which is why I think fabric choice is really critical for this pattern. If you tried making it in a poplin or quilting cotton, I don’t think it would work. Meg made some great fabric recommendations, including double gauze (one of my favorites) and also some great loose-weave ikats, and I’d love to try both of those for a subsequent version.

Matcha Top

After sewing the collar on the first time and finding it too tight (I later realized I had traced it incorrectly — Hugo was probably pulling on my leg or something), I ended up using a collar from a larger size to help widen the back; normally the collar would be closer to the neck than what you see in these pics, but I like it this way too. Next time I will use the correct size and just add a bit of width between the two back notches for my broader-than-normal shoulders. Meg also recommends using a smaller collar to widen the gap between the two sides of the collar, which could be really cute too.

Matcha Top

I’m actually also taking Meg’s Matcha class at Squam this fall, so I’m really excited that I’ll have a chance to make another version and learn some tips from Meg. Squam is something I’m just really excited about, period. I’ve wanted to go for years, and this fall is their last one and I managed to squeeze myself in after getting on the waistlist. It looks like it’s going to be amazing!!! And that reminds me, I need to go buy my plane tickets yet…

Starry Sky skirts for Clementine

Clementine's Starry Sky skirt

These simple gathered skirts are so easy and addicting to make. I used the Starry Sky skirt project that I contributed to the most recent issue of Making Magazine for these. Perhaps the fact that I made not one but three for Clementine is evidence that they are basically Sewing Crack? They nearly fall off my machine. Bonus: she’s worn these three skirts non stop since January. When it was cold she’d wear them with leggings underneath, and now that it’s warm she wears them with those shorty-legging things that are called tumble shorts or undershorts or something like that.

Starry Sky skirt for Clementine

This first version is made with a Japanese quilting cotton that I picked up on a trip to Seattle last year at a great shop in Kirkland called Circa 15. Great quilting fabric selection but also a great selection of apparel fabrics (union chambray, double gauze) there as well. It’s hard to see but there are tiny little pandas scattered in the flowers. Clementine picked it out.

Starry Sky skirts for Clementine

The second one is a Nani Iro brushed cotton that has some sort of magical glitter ink (unicorn blood?) so the flowers sparkle. The sparkles are a Big Win with my girl, and the brushed cotton makes it super soft.

Starry Sky skirts for Clementine

Starry Sky skirt for Clementine

Check out my little vampire. Until a couple of weeks ago we were convinced those front teeth would never grow back. She’s been completely toothless in front for nearly six months. And then, a few weeks ago, a solitary front tooth started growing in, and the dentist assures me there are more to come.

Starry Sky skirt for Clementine

One thing I should point out (that you can really see in the photo above) is that Clementine is taller than the size I made for her, so the hem on these skirts lands a little higher than normal on her. She measures a size 7 in her waist but a size 9 height, so a I made a size 8 as a comprimise. There’s still a 2″ hem, however, so I can take them down yet in fall. I also like to leave a little excess elastic in the waist so that I can take the waist out too. These skirts really can last a long time if you want them to!

Starry Sky skirts for Clementine

I made the third skirt with my Sidewalk Knit in the green pencil print. I’ve discovered that this print is nearly impossible to photograph correctly; I think it must be a combination of the super bright colors with that teal hue…for the life of me I cannot get my camera or editing software to get the colors right on screen, though the closest one is above.

Starry Sky skirt for Clementine

The knit makes the skirt drape closer to the body, so there’s less “poof” to it than the other two, but it’s comfortable and swishy.

Starry Sky skirt for Clementine.

Starry Sky skirt for Clementine

If you’re looking for the instructions for this skirt (it comes in both children’s and women’s sizes), pick up a copy of Making Magazine issue 3! It’s now available online from the Making shop, as well as many other local yarn and fabric shops. Here in Ann Arbor you can pick up a copy at Spun in Kerrytown.

Jess’ Bianca Dress with Contrast Facing

Made By Rae Bianca Dress

Made By Rae Bianca Dress

One of my patterns that never really got its time in the spotlight is Bianca, which launched just months after Hugo was born three years ago. It’s a lovely pattern for summer sewing, and this dress version from Jess that features the facings on the outside and contrast hem has always been one of my favorites.  Bianca also can be made as a top, and is best suited to fabrics with drape or a looser weave, like this Nani Iro double gauze (a collection from a few years back). The contrasting facings and hem bands are Kaffe Fassett shot cottons purchased from Hawthorne Threads.

The Bianca PDF pattern includes tips for how to make the facing visible the way Jess did for this version, and she added the contrast hem bands for a fun variation.

Made By Rae Bianca Dress

Here’s how to add the hem bands:

  • The finished hem band on this dress is 3″ tall. For the same proportions as shown here, remove 2.5″ from the hem of  both the front and back pattern pieces. Bianca has a slightly curved hem, but it’s way easier to add a contrast band if the hem is a straight line, so measure 2.5″ up from the bottom edges of each pattern piece, connect those with a straight edge, and slice along that line.
  • For the hem bands, cut two rectangles out of contrast fabric that are 7″ tall, one as wide as the front and one as wide as the back.
  • For Step 6 in the pattern sewing instructions, choose option B to sew side vents, and sew the seam allowances as directed for a “Clean Finish.”
  • Fold each hem band in half lengthwise with right sides together and sew along the short ends of each hem band with a 1/2″ seam.
  • Trim the corners, turn each band right side out, and use a point turner to push out the corners. Press.
  • Pin hem bands to front and back hems of the dress with raw edges together (two layers of hem band, one layer of dress), and sew together with a 1/2″ seam. Finish these edges with a serger or zigzag stitch.
  • Press seam allowances up (toward dress) and top stitch 1/4″ above the seam you just sewed to hold the seam allowance in place.

Made By Rae Bianca Dress

Alternate instructions: View B of the Beatrix Pattern has detailed instructions to attach hem bands in a slightly different way, so you can refer to those steps if you have Beatrix in your pattern library.

Made By Rae Bianca Dress

Made By Rae Bianca Dress

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Selecting fabrics for Gemma

Orange Gemma Tank

Gemma tanks are a great summer staple, and we at MBR have been been putting ours into heavy rotation now that the weather’s warming up. Jess has easily made more Gemmas than I have, and I dare say has become a bit of an expert at selecting good fabrics for this pattern, to the point that I might even be a wee bit envious of hers (all I’m saying is she’s lucky she’s a size smaller than me otherwise they might start to disappear).

Orange Gemma Tank

Jess is general manager here at Made By Rae (she is in charge of wholesale, coordinates pattern testing, serves as project manager, and answers a ton of email), and she does a lot of sewing both for work and for fun. Jess made this particular Gemma tank with Robert Kaufman Manchester cotton in Poppy, a looser weave medium-weight cotton that has turned out to be a really comfortable Gemma.

The other day we were discussing this tank, and that led to a discussion about our favorite fabrics for Gemma, because ultimately the ones made with fabrics that are more comfortable will get worn, and the ones that aren’t, won’t. That seemed like a great topic to share on the blog, as I know many of you are also sewing Gemma tanks of your own (check out #gemmatank for some great examples).

Orange Gemma Tank

Fabric choice is one of the most important factors if you want to end up with a comfortable garment, especially when you are working with woven fabrics (knits are, by their nature, usually more comfortable to wear, but Gemma is designed for wovens). Here are a few things to consider when selecting fabric for Gemma:

  • a fabric with a looser weave tends to be more comfortable than tighter weave.
  • a fabric with a lighter weight tends to be more comfortable than heavier weight
  • a fabric with more drape tends to be more comfortable than fabric with less.

Every fabric has some degree of each of these characteristics (weave, weight, drape), as well as other characteristics that have less impact on comfort, but in general, I find these useful when choosing fabrics for Gemma.

Orange Gemma Tank

Here are some more fabrics to consider making your next Gemma out of:

double gauze – while it’s not super drapey, it’s fairly lightweight and has a very loose weave, to the point that you might even need to go down a size. Double gauze frays quite easily (so seam finishing is a must!), but the darts are easy to get to lay smoothly and it’s actually quite manageable to sew with, due to the stabilizing effect of the two layers. Manufacturers include Kokka, Andover, Monaluna, Cloud9, and Cotton and Steel.

shot cotton – also lightweight and with a looser weave but very little drape, this is a nice option if you can find it (as far as I know, Kaffe Fassett is the only one who designs shot cottons). I love the depth of solids due to the different colors in the warp and weft threads. Manufactured by Free Spirit.

cotton lawn / voile – lawn has the advantage of being widely available in many different prints due to an increased number of manufacturers producing it in recent years, and it is light weight. Be careful when using lawn for Gemma, however, as some of the lawns (looking at you, Cotton and Steel) are very tightly woven and less lightweight than others, and even have a bit of a silky sheen to them, making it less comfortable to wear and a more difficult to sew the dart smoothly without a noticeable pucker at the end. Manufacturers include Windham, Andover, Robert Kaufman, Liberty of London, Free Spirit (under “voile”), Cloud9, Monaluna, and Cotton and Steel.

chambray – most chambray is medium-weight, fairly tightly woven, and has very little drape, so in general I would avoid it for Gemma. However, the fabrics under the category “union chambray” produced by Robert Kaufman have become popular in recent years because they are lighter, drapier, and even have a bit of stretch to them. Manufactured by Robert Kaufman

rayon / rayon challis – a synthetic fiber that drapes beautifully, the quality will determine how easy it is to sew with, but one thing to consider (and one that I need to do more research on, frankly) is that rayon production can be pretty horrid for the environment; rayon tencel is the most eco-friendly rayon. Manufacturers include Free Spirit and Cotton and Steel.

batiste – in the past year Cloud9 (the organic fabric company that produces my fabric designs), has begun producing a fabric on a new “batiste” substrate for them; it’s loose-weave and light, so it’s almost a single gauze, but it’s less sheer than gauze. The prints they’ve released so far on batiste are quite lovely; however, it’s best to choose prints with darker backgrounds if you use this fabric for Gemma as they are still pretty sheer.  Manufactured by Cloud9.

Orange Gemma Tank

And now, a note about quilting cotton (dum dum DUMMMMMM): It’s not a great fabric for Gemma (or garments in general, really). I know…there are so many awesome prints, but it’s not going to be as comfortable to wear as the fabrics listed above. Even the quilting cottons that are lighter weight (like the one I made with Alison Glass’ Handcrafted fabric) end up looking great on the hanger but not so great to wear. I’d recommend QC for making a wearable muslin, but that’s pretty much it. Sorry.

Orange Gemma Tank

Do you have a favorite fabric for Gemma? Let us know in comments! You might also want to check out this post: My top five fabrics for clothing.

The Gemma Sewing Pattern is available as a PDF in my shop.

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Starry Sky Skirt – Making Magazine no. 3

Starry Sky Skirt

I am so honored to have been asked to contribute to Making magazine’s third issue, Dots, which is out this spring. For those of you not familiar with Making, it’s a themed print magazine that includes sewing, knitting, handwork, and all sorts of other craft-related articles, patterns, and tutorials all compiled in the most beautiful layout. The magazine is the work of Carrie Bostick Hoge of Madder, who serves as both its editor, designer, and chief photographer. This issue’s theme is “Dots;” issues one and two are Flora and Fauna. All are visually stunning.  I love how Making brings together so many areas of of craft together; there are tons of patterns and tutorials alongside articles that include recipes and interviews and stories about makers in such an artistic format.

Making magazine no. 3 dots

Starry Sky Skirt for Making Mag

photo above by Carrie Bostick Hoge / @maddermade

I first became familiar with Carrie’s work through Quince and Co, one of my favorite yarn companies. Carrie designed a number of knitting patterns for Quince that are available in the Quince shop that I’ve admired and purchased over the years. I was so honored to be asked to contribute alongside of so many other talented artists and makers. My friend Anna Graham blogged here about the wallet pattern that she contributed for the issue.

Starry Sky Skirt for Making Mag

photo by Carrie Bostick Hoge / @maddermade

Starry Sky skirt
The project I contributed to the magazine is a tutorial for a simple gathered skirt called the Starry Sky Skirt. A simple gathered skirt is — as my friend Erin said recently when she posted one on Instagram — the “gateway drug to the sewing world,” and it’s certainly a lovely thing to throw together two rectangles of fabric and add a waistband. But although I’m certain many people have written tutorials for the basic gathered skirt before, something I felt was still missing was specific length and width dimensions for gathered skirts for a broader range of humans; not only children’s sizes but also all the way up to adult sizes (including plus). The pattern includes dimensions all the way from a children’s size 1 (12 months) all the way through the nine women’s sizes my patterns currently span, which is to say, from a waist size of 19″ to 45.” The skirt is designed to hit roughly at the knee, and has length built into the hem for extra adjustability and height differences. I love having these dimensions at arm’s length; it takes the guesswork out of making a quick skirt for me, which means it’s an even easier project to whip out in an hour or so, and of course I’ve provided step by step instructions to help even the beginner tackle this project. If you have the magazine I hope you’ll find this useful for making piles of simple skirts for yourself and little ones!

Starry Sky Skirt

The fabric
When Carrie first told me the theme was Dots and shared her inspiration board with me, I was inspired to create a skirt out of dark fabric with lighter dots scattered over it like a starry sky. Initially I thought I might try to figure out a way to stamp a solid blue fabric to get the desired effect, but when Carrie mentioned she had two double gauze fabrics that might work already in her stash, I was really excited. The fabric she sent for me to make the women’s skirt is a now out-of-print Nani Iro double gauze, and it’s absolutely gorgeous, don’t you think? I’ve already received a number of emails asking where to find this fabric, and regrettably I don’t think this particular print is available any longer, but I do recommend checking out Jones and Vandermeer, Miss Matatabi, and Red Beauty Textiles if you want something similar. All of those shops are places that carry a nice selection of Nani Iro and I’ve purchased from all three of them in the past.

Starry Sky Skirt for Making Mag

photo by Carrie Bostick Hoge / @maddermade

I also love the reversible dotted double gauze (above) that Carrie sent; I was able to make two children’s skirts for the shoot, one with the blue on the outside and one with the white (below) on the outside. They made an adorable pair (see top photo).

Starry Sky Skirt for Making Mag

photo by Carrie Bostick Hoge / @maddermade

Making Magazine issue 3 is now available online from the Making shop, as well as many other local yarn and fabric shops. Here in Ann Arbor you can pick up a copy at Spun in Kerrytown.

Fancy Dress for Clementine

Clementine's Pink Daisy Bow Dress

Clementine (the other day): “Mom, I’m not a Fancy Girl.”

Me: “What’s a Fancy Girl?”

C: “Well, you know, there are some girls at school who always wear the fancy clothes, like dresses with tights, and fancy shoes, and they like pink and purple and stuff?”

Me (in my head): “There are kids who go to elementary school in tights?

Me (outloud): “Oh, right. So that’s not you? What kind of girl are you then?”

C: “Well, I’m like, a Cool Girl.”

Me: “Ahhh. What’s a Cool Girl?”

C: “Well, you know how I like video games? And I like blue and aqua and other colors, not just pink and purple?”

Me: “Yeah. I love that about you.”

C: “So, that’s like, a Cool Girl. You know that pink dress you made me for Easter, with the bow and the flowers?”

Me: “Yeah?”

C: “That’s what a Fancy Girl wears.”

Me (laughing): “OK. Got it. Wait! There are blue flowers on it??”

C: (rolls eyes)

Clementine's Pink Daisy Bow Dress

Yes, it’s pink and it’s pretty fancy, but she wore it for Easter, and even though she likes blue better, I happen to know she still wears a lot of pink. So I’m not going to write this dress off yet. But even if she never wears it again, I pretty much died of cute when she put it on the first time and danced around like a fairy. I’ll just hold that memory in my heart while I sew her a pair of blue skater punk shorts this summer, right?

Clementine's Pink Daisy Bow Dress

Clementine's Pink Daisy Bow Dress

Clementine's Pink Daisy Bow Dress

Clementine's Pink Daisy Bow Dress

But she’s definitely less “this:”

Clementine's Geranium with Bow

And more “this:”

Clementine's Geranium with Bow

My weird little monster.

Clementine's Geranium with Bow

Fabric: Cotton lawn by Cotton + Steel, designed by Melody Miller

Patterns: Geranium Dress + Geranium Expansion Pack (zipper, bow, and gathered elbow-length sleeve). I used the selvage-to-selvage width of this fabric for the skirt, resulting in a fuller skirt.

PS. This dress gave me a chance to try putting the zipper together with the sleeves (these are the gathered elbow-length sleeves) from the Geranium Expansion Pack. I was v. pleased at how this turned out; I’ve never been a big zipper fan — quick and easy is my personal sewing motto, and surprise! zippers don’t usually fall under that category — but I’m really in love with how this looks. More info on the zipper can be found in the GXP zipper post.